From stretching canvas, mixing paint to driving 850km to deliver materials. The production of one painting requires a whole team of dedicated arts workers who operate behind the scenes to ensure artists have access to materials, so they can do what they do best – make art!
Share a Cuppa Tea with Martumili Artist Sharon Porter. She’s been painting up a storm in the Kunawarritji
art shed since arriving earlier this year, and while she’s a fresh addition to Martumili Artists, Sharon
brings with her a lifetime of painting experience. She tells us how she began her artistic journey
alongside her grandmother, Katjarra Butler, then joining Tjarlili Art in Tjukurla community and
working as an independent artist in Alice Springs before finally arriving here.
You’d be forgiven for thinking Martumili Artists had taken over the Paul Johnstone Gallery in Darwin,
with our artists represented in two back-to-back, sell-out solo shows held between July and September of this year. For Derrick Butt, this show marked an incredibly exciting milestone- his first solo exhibition. Meanwhile, desert master Bugai Whyoulter effortlessly delivered yet another spectacular solo show.
Collaborative paintings are often more about the process and the message they carry rather than the final outcome. Whilst the finished painting is important, the
Martumili Artist Corban Clause Williams has just returned from the trip of a lifetime to Paris, along with five other artists representing Aboriginal art centres
For our Mirrka (Bushfoods) exhibition, more than eighty artworks explore traditional bushfoods in an immersive setting. Swags and a continuous basket weaving circle within the
Last week, as part of AACHWA’s Our Future: Aboriginal Arts Worker Training Program, we were super excited to host visiting arts workers from across Western Australia, representing four different art centres including Tjarlili Art (Tjukurla), Waringarri Arts (Kununurra), Ku’arlu Mangga (Good Nest) (Moonie Mia, Northampton) and Yamaji Art (Geraldton).
Chatting with artist Sylvia Wilson, conversation easily stretches across time and through a myriad of subjects. She’s witty, perceptive, spiritual, and animated by a profound enthusiasm for art, life, and human connection. Given that she works every day in the Martumili Gallery as their principal gallery assistant, we hope you soon have the chance to talk with her too! In the meantime, learn more about Sylvia over a cuppa tea.
Field Officer Zoe Martyn narrates a typical day of art production and community life, as experienced in the iconic Parnngurr Art Shed. Accompanied with photography from Michelle Troop, this photo-essay offers insight into the chaos, harmony, and ultimately cultural connection that occurs in Martumili art studios across the Western Desert.
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Martumili Artists warns visitors that our website includes images and artworks of Artists who have passed away which may cause distress to some Indigenous people.
Martumili Artists acknowledges the Nyiyaparli and Martu people as the Traditional Owners of the land we live and work on. We also acknowledge the Traditional Owners throughout our country and our Elders; past, present and emerging.
