22-1619 – Tamisha Williams

“I come to Martumili to paint about my Country, where my grandfather walked around and collected food, and visited the same rockholes I do. I paint to keep my culture and stories strong, and share with others.”

– Tamisha Williams

Tamisha is part of the youngest generation of Martumili Artists. She, like her contemporaries, began to paint with her parents, grandparents and extended family, thus fostering an organic process of learning, not only about painting techniques, but also specific locations, family histories, traditional ways of life, and Jukurrpa (Dreaming). In this way, cultural knowledge continues to be transferred through visual arts, keeping Martu culture strong.

Tamisha’s subject matter is strongly informed by her traditional ngurra (home Country, camp) through her grandfather- Kaalpa (Kalypa, Canning Stock Route Well 23). A permanent water source located northeast of Kumpupirntily (Kumpupintily, Lake Disappointment), the site is of great cultural significance, and is also known for good hunting. Adjacent to the waterhole is a hill of the same name. The landscape around Kaalpa is parlkarra (flat country) bordered by tali (sandhills), stretching as far as Windy Corner, northeast and towards the border of Western Australia and the Northern Territory. The large and dangerous Jukurrpa mosquito and fly beings partially created the landforms in this area and continue to live underground here. Kaalpa also features in the Minyipuru (Jakulyukulyu, Seven Sisters) Jukurrpa, a central creation narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation.   

Stylistically Tamisha’s paintings meld traditional and contemporary elements, demonstrating the development of her own aesthetic while continuing to reflect the powerful influence of her elders. Dotted paint applied in modern palettes depict walka (designs), iconographic forms universally shared across the Western Desert. For many thousands of years these designs have represented men and women, kapi (water sources), tali (sandhills), different varieties of warta (trees, vegetation), ngarrini (camps), jina (tracks), jila (snakes), and Jukurrpa ancestral beings.

Tamisha has adopted an experimental approach to art making, and is always enthusiastic to explore other mediums, including jewellery making, screen printing and digital photography.