$775.00
1 in stock
Sylvia Wilson
Acrylic on Canvas
61 x 91 cm
Year: 2024
24-1271
The Wanti (Woman, Girl)
“It’s pretty much the line of thought of my family. So that’s my daughter and then my granny- ‘Nan Nan’ they call her- and then my mum, SW. And that’s my nanna Lorna. It’s pretty much the line of where I’m from. That connection and family tree.”
– Sylvia Wilson
This work is one of a series by Sylvia Wilson entitled ‘Mum, The Boss, My Daughter and the Wanti (Woman, Girl).’ As Sylvia explains, the work is both a depiction of, and attribute to, the women in her family heritage.
The Martu term for family, walytja, encapsulates a broader idea of relatedness that permeates every aspect of life. The Martu four-section kinship system determines a person as belonging to either the Purungu, Milangka, Panaka or Karrimarra skin group, and was created by the Jukurrpa (Dreaming) ancestors.
This system not only defines relationships, it also establishes a framework for expectations and obligations, and extends the importance of family far beyond mere blood or marriage ties. Family is not limited to blood connections; it encompasses all relationships within the entire community, forming a network of relationships that was crucial to survival during the pujiman (traditional, desert dwelling) era, and that remains fundamental to Martu life today. The kinship system allows everyone to know what expectations one person can have in relation to another, and means that familial terms and relationships are present between any two individuals, whether or not they are related by blood.
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Martumili Artists acknowledges the Nyiyaparli and Martu people as the Traditional Owners of the land we live and work on. We also acknowledge the Traditional Owners throughout our country and our Elders; past, present and emerging.